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《减字浣溪沙·楼角初销一缕霞》原文翻译及赏析_作者贺铸楼角初销一缕霞淡黄杨柳暗栖鸦玉人和月摘梅花笑捻粉香归洞户更垂帘幕护窗纱东风寒似夜来些《浣溪沙·淡荡春光寒食天》原文翻译及赏析_作者李清照淡荡春光寒食天玉炉沉水袅残烟梦回山枕隐花钿海燕未来人斗草江梅已过柳生绵黄昏疏雨湿秋千
《菩萨蛮·春闺》原文翻译及赏析_作者徐灿困花压蕊丝丝雨不堪只共愁人语斗帐抱春寒梦中何处山卷帘风意恶泪与残红落羡煞是杨花输它先到家这是一首闺怨词人在愁绪中雨是借以诉请的最佳友伴首句困花压蕊丝丝雨真切地写出春雨的绵长轻润但这丝雨困花压蕊原来也像是了解了闺中女子的愁肠一任默默地飘洒相伴斗帐抱春寒夜深了人在红罗绣帐里却不能成寐便更觉得春夜的清寒抱写出闺中人之孤单无助惟有抱春寒而已梦中何处山独自寻梦梦里山重水远并不能遇见自己所思念的人下片卷帘风意恶因心事凄迷便觉得连吹卷起珠帘的风也欺悔人这是以我之眼观物的写法此语看似极无理实则极含情惟究词人心绪何以如此之坏泪与残红落拖出了并不难猜的谜底原来是看流水逝花叹岁月流转恐年华不再故而泪与残红落结句乃把一段心事付与自由飘舞的杨花盼着远人也如杨花般早日回家全词格调清新秀雅虽写一般闺情而不一味抑郁不欢能于词中独赋一种绵渺深情令人味之而意愈长《菩萨蛮·梅雪》原文翻译及赏析_作者周邦彦银河宛转三千曲浴凫飞鹭澄波绿何处是归舟夕阳江上楼天憎梅浪发故下封枝雪深院卷帘看应怜江上寒此词咏梅雪而实为抒羁旅别情并暗含飘零不偶之慨首句大笔渲染雪岸苍茫随江蜿蜒状如银河三千曲极言其逶迤不绝第二句呈现一幅腊去春尽的景色晴光淑气凛冽中透露出生机由此引发出归思化用柳永八声甘州的词语淡情浓耐人寻味下片由雪下梅引出闺思上天讨厌梅花的纵情开放所以降大雪将花封盖你卷帘既见院里雪下之梅当知江上寒中之我你我心照可矣表达了相思之苦全词八句可谓句句景亦句句情景中寓情情以景见上下呼应而无痕情景浑融而莫辨既工巧而又浑成工巧之至即为浑成
《蝶恋花》原文翻译及赏析_作者冯延巳六曲阑干偎碧树杨柳风轻展尽黄金缕谁把钿筝移玉柱穿帘海燕双飞去满眼游丝兼落絮红杏开时一霎清明雨浓睡觉来莺乱语惊残好梦无寻处
《霓裳羽衣歌·和微之》原文翻译及赏析_作者白居易我昔元和侍宪皇曾陪内宴宴昭阳千歌万舞不可数就中最爱霓裳舞舞时寒食春风天玉钩栏下香案前案前舞者颜如玉不著人间俗衣服虹裳霞帔步摇冠钿璎佩珊珊娉婷似不任罗绮顾听乐悬行复止磬箫筝笛递相搀击恹弹吹声逦迤散序六奏未动衣阳台宿云慵不飞中序擘初入拍秋竹竿裂春冰坼飘然转旋回雪轻嫣然纵送游龙惊小垂手后柳无力斜曳裾时云欲生蛾敛略不胜态风袖低昂如有情上元点鬟招萼绿王母挥袂别飞琼繁音急节十二遍跳珠撼玉何铿铮翔鸾舞了却收翅唳鹤曲终长引声当时乍见惊心目凝视谛听殊未足一落人间八九年耳冷不曾闻此曲湓城但听山魈语巴峡唯闻杜鹃哭移领钱塘第二年始有心情问丝竹玲珑箜篌谢好筝陈宠栗沈平笙清弦脆管纤纤手教得霓裳一曲成虚白亭前湖水畔前后应三度按便除庶子抛却来闻道如今各星散今年五月至苏州朝钟暮角催白头贪看案牍常侵夜不听笙歌直到秋秋来无事多闲闷忽忆霓裳无处问闻君部内多乐徒问有霓裳舞者无答云七县十万户无人知有霓裳舞唯寄长歌与我来题作霓裳羽衣谱四幅花笺碧间红霓裳实录在其中千姿万状分明见恰与昭阳舞者同眼前仿佛形质昔日今朝想如一疑从魂梦呼召来似著丹青图写出我爱霓裳君合知发于歌咏形于诗君不见我歌云惊破霓裳羽衣曲又不见我诗云曲爱霓裳未拍时由来能事皆有主杨氏创声君造谱君言此舞难得人须是倾城可怜女吴妖小玉飞作烟越艳西施化为土娇花巧笑久寂寥娃馆苎萝空处所如君所言诚有是君试从容听我语若求国色始翻传但恐人间废此舞妍媸优劣宁相远大都只在人抬举李娟张态君莫嫌亦拟随宜且教取

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